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3D exhibitions

Altro Mondo

MARTSA

25 Mar 2023 – 22 Apr 2023

MARTSA by Jonathan Madeja, Mac Eparwa and Lorebert "Maralita" Comision In a few months, another batch of graduation photos enclosed in gilded frames will be hung in the sala of the Filipino home. It will glint and shine. Mothers will beam with pride, and fathers will feel relieved knowing that they have somehow secured a bright future for their children. As simple as this felicitous scene may be, it is not one easily attained by a big part of the population in the Philippines. Rather than spirits of enlightened and empowered youth, national news teems with stories of underfunding, inadequate teacher training, poor infrastructures, severe lack in educational materials, and the rampant corruption in the education bureaucracy to say the least. Martsa is a powerful and thought-provoking exhibit showcasing the works of Jonathan Madeja, Lorebert “Maralita” Comision, and Mac Eparwa that shed light on these critical issues. Each artist chronicles and presents the different facets of this recurring transgression against Filipinos, and the burden it bestows upon generations of the marginalized. In this exhibit, the three artists assert a single statement: if you want to see how much value a nation puts into their future, you should look at how they invest in the youth. After all, it has been said, “Ang kabataan ang pag-asa ng bayan.” - Omen . . . Music by:

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Iris

25 Feb 2023 – 18 Mar 2023

Iris by Rosscapili In Greek mythology, “Iris” represents the rainbow personified, the goddess whose name is derived from the ancient Greek word Ἶρις”. These magnificent, prismatic patchworks in the sky are the inspiration for Rosscapili’s 43rd solo exhibition, “Iris”. The works in the show collectively extol the virtues of the gift of sight and appreciating the beautiful memories in our mind’s eye, as the iris allows light into our eyes so we can see, Capili’s mediums of choice–acrylic, resin, and metal–are chosen to reflect this. Each piece features his signature broad brushstrokes, bold and confident, further emphasized by a vibrant, kaleidoscopic palette. Like the goddess it takes its name from, the exhibit links that which is divine to humanity, serving as an ode to life and all the wonders and idiosyncrasies that come with it. Rosscapili is a multimedia artist whose works have been collected both in the Philippines and abroad. He participated in his first group exhibit in 1976 at the age of 16 at the Silangan Art Gallery and his first solo exhibit in 1981 at the City Gallery. Since then, he has mounted over 40 solo art exhibitions in Manila as well as in Paris and the United States and participated in more than 50 group exhibitions in Japan, Singapore, Hong Kong, Taiwan, Malaysia, Mongolia, Indonesia and Korea. Rosscapili’s works have been featured in various coffee table books, including Filipino Artists In Their Studios, 21st Century Filipino Artists, Art Collector’s Guidebook, Art Philippines and the recently launched Solaire: The Art + Design Collection. . . . Music: Nighttime Stroll by E's Jammy Jams

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Altro Mondo

flee, begone, vanish from my sight

25 Feb 2023 – 18 Mar 2023

flee, begone, vanish from my sight Almario Tangalin Andres Catig Ash Iverson elyen elyen Gelo Cinco Ikatlo Olis Kirk Tabanera Lean Reboja Manuel Gomez Marvin James B. Marquez Pamela Maceda Roger Mond Ross Gadiana At the height of the 18th century, the young Russian poet Alexander Pushkin sat down and penned “Ode to Liberty,” a powerful, subversive poem that held great significance to Russians at a time of doubt and uncertainty. The work so angered Tsar Alexander the First, leading to Pushkin’s exile from his native land. It’s this revolutionary spirit that brings Ash Iverson, elyen elyen, Manuel Gomez, Ikatlo Olis, Pamela Maceda, Almario Tangalin, Kirk Tabanera, Roger Mond, Lean Rebola, Andres Catig, Gelo Cinco, Ross Gadiana, and Marvin James B. Marquez together for the group show “flee, begone, vanish from my sight.” Each artist has their own interpretation of what liberty means, and furthermore, how it manifests in their respective medium and creative practice. For some, it’s the ability to tame one’s inner critic. For others, it’s freedom from oppressive powers. As a result, the exhibit serves as a multifaceted exploration of the nuances of freedom, self-determination, and liberation. . . . Music: City Lights by HoliznaCC0

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Altro Mondo

Delirium

21 Jan 2023 – 18 Feb 2023

To enter a state of delirium is to experience a transient, acute intoxication and disturbed consciousness. But it can also mean the reverse, wherein one does not lack certainty of their situation–rather, they’re consumed by a rapturous passion, enveloped by ecstasy, euphoria, elation. It’s with these extreme conditions in mind that one can plumb the depths of Delirium, a three-man exhibit featuring the works of experimental artists Kashu, Dave Lock, and Mel “A73” Araneta. Each piece embodies the Grotesque style of art, showcasing the strange, magnificent, and incongruous. This collection seeks to invoke in viewers a feeling discomfort, but also empathy and even pity. Each artist demonstrates their fascination with the bizarre, manifesting itself in hypnotic and alluring pieces of art. Kashu (Bryan Casio) is a self-taught artist who draws inspiration from the different realities that humans deny out of selfishness. He aims to expose what his audiences deny in their daily lives, acting as if nothing is happening—doing nothing despite seeing the problems that they face. Mel “A73” Araneta is a self-taught sound artist, sculptor, performance artist, and a painter. He creates experimental sound art under his band ETNIKTRONIKA who create music through DIY instruments and sculptural sonic assemblage. Filipino contemporary artist Dave Lock’s earlier figurative paintings have been called emotionally masticated images, nightmare infested creatures, extreme terminations of beauty–descriptions that imagine his work as symbols of death and fear. Deformities and painterly effacements are a violent layer upon the image, upon the human face or what he calls, “the grand container of all truths.” The face is turned into a paranoiac phantom laden with multiple images and multiple faces, a container of automatic drawings and expressionistic destruction. But it is in this aspect of his paintings that one can strongly identify Lock’s playfulness, even as he misdirects the viewer with heady explanations for his imagery as philosophical/existential falls from beauty, truth, and grace. . . . Music: Endings Beginnings by Ketsa

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Cash Flow

13 Jan 2023 – 27 Feb 2023

Cash Flow by Charico ALTRO MONDO AT THE PICASSO 3/F The Picasso Boutique Serviced Residences, 119 LP Leviste., Salcedo Village, Makati City, Philippines Money can be both a lifeline and a curse, and visual artist Charico M. Cruz is well aware of this. In his solo exhibition "Cash Flow," Cruz attempts to portray the nuances of our financially dependent society and the intricacies of the way money weaves itself into every facet of our lives. Through a collection of digital artworks, Cruz renders images of local currency with meticulous lines rippling and undulating like waves in different directions, capturing its fluid, inconstant nature–valuable one day, worthless the next. Cruz believes that you can tell a lot about a culture by analyzing their currency–based on what they value to who they choose to immortalize onto something as ubiquitous as legal tender. This unpredictability excites Cruz, who seeks to capture this dynamic energy through this exhibit, at least before the tides change yet again. Charico M. Cruz is a visual artist based in Manila. He is also a freelance photographer specializing in travel photography. His works attempt to uncover stories that are overlooked at first glance, collecting narratives in different, unlikely places, and bringing them to light and lens.

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L'anima della Materia (The Essence of the Medium)

17 Nov 2022 – 31 Dec 2022

L'anima della Materia (The Essence of the Medium) by Elvino Motti Elvino Motti is an Italian artist from Como, Italy. He studied under the tutelage of renowned Italian sculptor Guiliano Vangi at the Art Institute of Cantù, and then graduated from the Brera Academy of Fine Arts in 1975. His sculptures catch the attention of the public for their elegant and innovative style, described as being made of extreme smoothness and roundness, yet not domed. These pieces show themselves in their becoming, manifesting what is about to be born from their shapeless, what they would like to be, but still are not and never will be totally. In his exhibit L'anima della Materia (The Essence of the Medium), each sculpture has an intrinsic sensuality that induces you to lightly slide your fingers over it to understand its visual, tactile, and material effects. Motti has exhibited his works in various Italian locations: Rome, Milan, Mantua, Venice, Florence, Como, Assisi and abroad: Providence (USA), Dubai, London, Dubrovnik, Berlin and Tirana, Nice, France and Athens, Greece. He has also been present at some of the world's most important art fairs: Milan, Rome, Genoa, Forte dei Marmi, Arezzo, Padua, Reggio Emilia, Cesena and Bergamo.

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Altro Mondo

Bagas

15 Oct 2022 – 05 Nov 2022

Bagas by Lorebert "Maralita" Comision In the Waray language, the word "bagas" refers to dehusking, a process of farming coconut also known as pagkokopra in Filipino, the primary livelihood of locals in Northern Samar. The word is also the title of artist Lorebert "Maralita" Comision's solo exhibition, himself a native of the region. The works in "Bagas" take inspiration from the experiences of Maralita's grandfather and other local farmers there, aiming to "dehusk" their stories which are being silenced and embedded deep among the roots of the coconut trees. Each piece depicts the daily lives of laborers and locals, utilizing Maralita's signature hyperstylized approach to the human form, as they are bent and contorted to snugly fit the edges of the canvas. The dejected expressions on their faces and their hunched posture convey the systemic entrapment of these self-effacing figures by Philippine society. Despite this, his compositions feature vibrant shades of oranges and browns against a muted palette, replete with Filipino iconography. This sprightly color choice is symbolic of Maralita's hopeful spirit, and a symbolic choice to invoke dusk and dawn, times of the day that signal promise and hope. He hopes that through his continued creative practice, he may be able to build an art community in his hometown and foster the spirit of unity among Samar artists. The works in the exhibit, and Maralita's enduring optimism, speak to his belief that the disempowered may come to realize a hope for themselves.

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Altro Mondo

PLAY-DO

15 Oct 2022 – 05 Nov 2022

PLAY-DO by Faye Pamintuan and Poeleen Alvarez Some notes on wandering 1. Be a wanderer. 2. Be an explorer of the world. 3. See things with fresh eyes. 4. Interact with your surroundings. 5. Go to places you have never traversed before. 6. Always be looking. 7. Let your curiosity guide you. 8. Trace things back to their origin. 9. Listen to the stories around you. 10. Find an alternative path. 11. Get lost. 12. Collect objects. 13. Engage all of your senses. 14. Use all of your senses in your explorations. 15. Bring a notebook and record your findings. 16. Find kindred wanderers along the way. 17. Observe things from a distance. 18. Notice the tiniest of details. 19. Find the recurring patterns in nature and life. 20. Learn from everything. 21. Let go of expectations. 22. Allow space for the unplanned. 23. The unknown is your friend. 24. There are no rules. 25. Have fun. 26. Be present. 27. Play. The act of wandering is an invitation for play. When we start to question things, we open doors to new perspectives, possibilities and magic. Wandering is not about reaching a specific destination. Instead, it is about allowing ourselves to experience freedom—and let our body, mind and soul roam free. Wandering encourages a willingness and openness to fully engage with life and the unknown. To allow ourselves to be pushed beyond our comfort zones towards the unbound. A wanderer follows the path of indeterminacy– to allow, listen to hunches, daydream, flow, immerse, imagine, ramble, uncover, look, brainstorm, investigate, get lost, be in the moment, be idle, and play. John Cage once described writing music as “...purposeless play…This play, however, is an affirmation of life–not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living, which is so excellent once one gets one’s mind and one’s desires out of its way and lets it act on its own accord”. Similarly, another approach to making art is through purposeless play. To create art for its own sake. To create without knowing the final image. Both Faye and Poeleen embody the energy of “Play-Do” by choosing to create from a more intuitive, spontaneous and playful approach. To be led by their wonderings —exploring, experimenting, allowing and making room for the unexpected. In the process, they discover, rediscover and unearth new worlds, formations and landscapes to traverse even if only in their minds. Danna Espinosa

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Forefront

10 Sep 2022 – 08 Oct 2022

Forefront Nasser Zulueta, Tom Russ, Elwin Lyon The pandemic has brought forth many realizations; chief among them is the validation of the importance of certain jobs and workers we often take for granted. They’ve become indispensable as we continue to navigate a global health crisis and a hazy future. We’ve known them as the FRONTLINERS—the people at the forefront of this battle who risk their lives for the public. However, so much has been said, but less has been done to acknowledge their significant contributions. “Forefront,” a group exhibition featuring the works of Nasser Zulueta, Tom Russ, and Elwin Lyon, aims to honor their legacy by confronting the injustices and unfair treatment they endured. This exhibition hopes to raise awareness of the plight of our frontliners and bring different sectors of our society together to start conversations on this matter. Funded by the National Commission for Culture and the Arts (NCCA) under the 2022 Competitive Grants, three artists have come together to honor our modern heroes. Nasser Zulueta, in his signature style, pays tribute to essential workers through monumentally sized works that play with scale and hues. Like a mosaic, each square piece reflects our distinct yet collective experiences in the past years. Elwin Lyon, a mental health advocate, puts her advocacy on display by combining her signature oil on canvas seascape painting style with her long-term passion for the game of chess. She depicts the ideal balance between work and play. With analogies to the movement and atmosphere of the sea, she explores the essence and contributions of the laboring citizens. And Tom Russ, a mixed media artist, highlights the struggles frontliners face by exploring different mediums, with each artwork underscoring the risks frontliners have faced. Using familiar objects, Tom created conceptual pieces for the fallen heroes and those who continue fighting. Together, these three very diverse artists will use their artistic voices to amplify the call for action.

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Solarium

18 Mar 2023 – 17 Apr 2023

Solarium A group exhibition by Anina Rubio Anjo Joaquin Bayani Galera Brisa Amir Gianne Encarnacion HALA MÆN Jonathan Benitez Maicah Hipolito Nile Pobadora Rick Hernandez Sam Feleo Tammy De Roca It is not uncommon for architectural facilities to include a solarium–a small window to the natural world in otherwise clinical spaces. In the glass-encased room, the warmth and radiance of sunlight filters in, and one can feel as close to the outdoors as possible without actually being there. In the same vein, Solarium is a group exhibition that brings together Bayani Galera, HALA MÆN, Sam Feleo, Anjo Joaquin, Gianne Encarnacion, Jonathan Benitez, Rick Hernandez, Tammy De Roca, Brisa Amir, Nile Pobadora, Maicah Hipolito, and Anina Rubio–a selection of accomplished artists inspired by nature. Their work offers a facsimile of the different aspects of the biosphere that evoke feelings of calm and tranquility, as well as a sense of admiration and respect for all that surrounds us. Thanks to the vast, vast wealth of inspiring phenomena, the exploration of nature in the exhibit takes on endless, uniquely imaginative forms. Anina Rubio’s botanical studies speak to her background as an environmental advocate who seeks to depict nature’s beauty and inspire others to engage in conservation and sustainability efforts. Rick Hernandez’s Du Jardin distressed vegetal silhouettes offer a glimpse into the small urban garden that he tends to on his rooftop. The plant life rendered in Gianne Encarnation’s ornate, decorative pieces are inspired by pattern-work, embroidery, and the grid structure of pixel games. While Sam Feleo and Anjo Joaquin’s creative approach emphasizes our interconnection with plants and the give and take relationship humans have with nature. This is but a sampling of the myriad perspectives the exhibit offers. Together, these artists provide a glimpse of the outside world and a mirror with which to examine ourselves and our relationship with the world. . . . Music: Eagle by Ketsa

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Repository of Reflection

12 Nov 2022 – 03 Dec 2022

Repository Of Reflection by Jea Mina, Wil Magsino, Kalem, Roomel Catapang, Ma. Luinette Belen, Jayvie Maglente, Chiz Cueva, Kenneth Batubatan, Jaycel Musnit, Froilan Galpo, Jopet Arias and Randolf Novis Art is an instrument for self-reflection, allowing one’s self to gain perspective about life and where they stand in it. Similarly, Repository of Reflection serves as a storage of realizations. The group exhibit features work by Jea Mina, Wil Magsino, Kalem, Roomel Catapang, Ma. Luinette Belen, Jayvie Maglente, Chiz Cueva, Kenneth Batubatan, Jaycel Musnit, Froilan Galpo, Jopet Arias and Randolf Novis. Just as one keeps a journal to reflect on the minutiae and intimacies of the day to day, each work in the show presents the contemplations of its respective artist– candid enough to resonate with its anonymous audience. From distilled renderings of the pure, unbridled joys of childhood to pensive meditations on adulthood, the collection asks viewers to stop and consider: What regrets have you had in life? What would you have done differently?

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Repast

25 Mar 2023 – 22 Apr 2023

Repast New works by DengCoy Miel and Jose Tence Ruiz In Repast, DengCoy Miel and Jose Tence Ruiz examine the present by skewering the past. Historical events cast a long shadow on grotesque silhouettes rendered in a raw, unsettling glory. In Lord of the Onion Rings, Ruiz harkens back to Francis Bacon’s ghostly human forms, with a man whose face is obscured by violent brushstrokes and geometric shapes that aren’t where they’re supposed to be. In Dengcoy Miel’s Peelings, WoHohoo, Peelings, a young boy cries as he chops onions. Taken at face value, the scene is a mundane tableau–but given the state of the world as it is, with inflation at an all-time high and the looming threat of recessions and climate disaster, it serves as a poignant metaphor for the current situation. Taken as a whole, the works crackle with a frenetic energy and thick layers of meaning ripe for dissection and vivisection. . . . Music: Belted Kingfisher by Chad Crouch

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Rondo VI

10 Dec 2022 – 14 Jan 2023

Altro Mondo Arte Contemporanea presents RONDO VI, our gallery's year-end show. 10 December 2022 - 14 January 2023 - - - Music: "when" by Stephen Siebert

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Metanoia

21 Jan 2023 – 18 Feb 2023

Metanoia - (meta·noia) noun : a transformative change of heart especially : a spiritual conversion the journey of changing one’s mind, a transformation. Over the years, visual artist Carlos Esteban Trinidad has pivoted from different careers and preoccupations. From being a graphic designer and now a painter, and shifting away from figurative portraiture towards abstraction, Trinidad’s creative journey has been marked by significant change. His solo exhibition “Metanoia” encapsulates these transitions, touching down on his current preoccupation: abstraction. His fixation with this particular visual language was born out of a yearning to find the perfect tool for self expression. Abstraction has given Trinidad the freedom to communicate the contents of his heart and soul. Each piece in the exhibit features bold lines rendered with vibrant color palettes. Each line overlaps with another, criss-crossing and colonizing the canvas, then blending into one another and appearing to jump out at the viewer. It’s through these distinct forms, lines, colors, textures, and patterns that Trinidad feels most comfortable baring his emotions, and divulging his innermost thoughts and feelings, creating landscapes upon which the beholder could walk into his intimate reality. . . . Music: Mountain Pass (ID 1829) by Lobo Loco

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At The Tip Of My Tongue

10 Sep 2022 – 08 Oct 2022

At The Tip Of My Tongue Justine Amores, Sarah Conanan, Tammy De Roca, Faye Pamintuan, Bryan Pollero, Regina Reyes, Jone Sibugan, Raffy Ugaddan It is often said that trees remember drought so profoundly that they remain prudent even when water becomes bountiful. How devoted they are to remembering!, so implacable in their hurt, that archaeologists can know the shape of famine from a hundred million years ago. The same is observed even in great rocks – the ridges of their impervious bodies tell the story of how they, too, have once been malleable to the gentle lapping of ocean waves. At the heart of this exhibition is a belief: objects remember. They can become such uncanny reflections of the reality within our minds that just the mere sight of them evokes entire lifetimes long gone, washed away, carried by the sands of persistent time. Reactions felt viscerally – a pang so sharp in the chest, splintering into shrapnel of salt water on the lashes – it begs to have a name. But just as much as this is about the corporeality of remembering, this is also about the pervasiveness of lack – like how the weight of one’s tongue can feel acutely foreign inside the mouth after the loss of a tooth. Sometimes, the disappearances of objects allow for the kindness of not-remembering, especially when memories feel more like bad intentions instead of well-wishes. A hypersensitivity to missing, a paranoia to forgetting. And now, here: so utterly entrenched in the past, in a feeling so already-known, that the mind blanks. Adamant, still, in recalling, but blanking just the same, and it is there– It escapes me, but it is there – at the tip of my tongue - Pantay Bituin

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Philosophy of Seeing

21 Jan 2023 – 18 Feb 2023

PHILOSOPHY OF SEEING 1.21.23 - 2.18.23 Sculptor and painter Tyrone Espinosa’s solo exhibition “Philosophy of Seeing” lies within the philosophical epoch that orients the literal and non-literal eye or “I” towards or away from the self and object or others. Through ornate, meticulously carved sculptures shaped like eyes with elegantly inlaid wood embedded with different patterns and symbols, Espinosa straddles the line between ambivalence and certainty, consciousness and perception–after all, the eyes are the window to the soul. Tyrone Espinosa is a multi-awarded sculptor and painter. He known for the Surreal Expressionism is his art style. He was born in 1991 and he finished a BS Architecture degree at the Iloilo Science and Technology University. . . . Music: Plus 9 by Independent Music Licensing Collective (IMLC) from KETSA - Singles

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Altro Mondo

Microcosm

25 Feb 2023 – 18 Mar 2023

Microcosm February 25 - March 18, 2023 Benjie Cabangis, Chewy Yap, and Pancho Piano “Guided by his own metaphysical value-judgements (explicit or otherwise), an artist selects, out of the bewildering chaos of human experience, those aspects he regards as indicative of the nature of the universe. Then he embodies them in a sensory-perceptual concrete... The result is a universe in microcosm.” - Leonard Peikoff, Objectivism: The Philosophy of Ayn Rand The human mind has been both glorified and probed for its vastness, complexity, and ingenuity. Artists, through the command of their craft, have the unique ability to bring what they see in their mind’s eye onto the physical canvas, creating microcosms, or little worlds, of the greater human consciousness. In “Microcosm,” three distinct abstract artists have come together to explore the depths of the human mind and consciousness through their bold and dynamic works. . . . Music: Steel String Woolgathering by David Dellacroce

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Altro Mondo

CULTURE AS TALISMAN

15 Oct 2022 – 05 Nov 2022

CULTURE AS TALISMAN by John Frank Sabado Visual artist John Frank Sabado looks to the future but doesn't forget the past. This is most evident in Culture as Talisman, a solo exhibition which brings Sabado's penchant for linking the indigenous with the contemporary, both in context of the material and spiritual, to the fore. Also on display is his proclivity towards representations of nature and talismans, offering an insight into ancestral memory. Sabado's extensive knowledge on the beliefs and traditions of the Cordillera is the driving force behind works, informing his craft-based approach which is deeply rooted in the art of indigenous people. He also borrows imagery from native culture, such as the "bulols" (wooden figures) showcased in some of his pieces, representing the guardians of the Cordillerans that protect nature from industrialization. Through his works, Sabado also turns his sights on himself, using his medium to interpret his cultural identity and reiterate his beliefs. The undulating patterns and vibrant palettes of the works, coupled with otherworldly imagery of myths and the gods and goddesses of yore, underscore the value of culture as our talisman to educate and enchant us in times of desperation.

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The Soul Of Nature

25 Feb 2023 – 18 Mar 2023

The Soul Of Nature Jhon Tejones, Adam Nacianceno, Earl Agustin, Emil Jay Guiang, Jeri Jumao-as, John Perry Pellejera, Kevin Ortega, Lino Jamisola (Pipesman) As we travel through life, we feel the rough earth beneath our feet, the wind on our faces, the purity of fresh water on our lips, and the warmth of fire on our skin. Since time immemorial, these four elements have served as the pillars of life which continue to provide us with wisdom critical to our continued existence and flourishing. These components coalesce into a unified whole that can be described as “The Soul of Nature” from which this group show takes its name from. Artists Jhon Tejones, Adam Nacianceno, Earl Agustin, Emil Jay Guiang, Jeri Jumao-as, John Perry Pellejera, Kevin Ortega, and Lino Jamisola (Pipesman) seek to foster the innate human affinity for nature in all its forms and to harness the restorative power of the natural world to enhance the well-being and pleasure of human existence through art. Being here, at peace with the world and with each other, there’s no better feeling. But how much longer will our dwindling planet let us bask in such opulence? After centuries, the earth has changed drastically, and continues to do so. In the face of overwhelming odds, optimism is difficult. Yet, nature’s grandeur is something that can never be overlooked. The inherent worth of nature compels these artists to take action to ensure its survival in the way they know how–creating works of art. . . . Music: Western Folk Guitar Music by Indigo

exhibiting artists

latest works

Jonathan Madeja_Exhibit Notes
h = 36 inch
Mac Eparwa_Exhibit Notes
h = 31 inch
Maralita_Exhibit Notes
h = 24 inch
Paniksik_Installation Piece
h = 48 inch
Saulo_Installation Piece
h = 15 inch
Martsa_Title
h = 48 inch
Mac Eparwa
No Horizon, 2023
48 x 36 x 1.8 inch (h x w x d)
Oil on canvas
PHP 45000
Mac Eparwa
Burden 2, 2023
24 x 24 x 1.8 inch (h x w x d)
Oil on canvas
PHP 15000
Mac Eparwa
Burden 1, 2023
24 x 24 x 1.8 inch (h x w x d)
Oil on canvas
PHP 15000
Mac Eparwa
Feeble, 2023
40 x 30 x 1.8 inch (h x w x d)
Oil on canvas
PHP 31500
Mac Eparwa
Stranded, 2023
36 x 36 x 1.8 inch (h x w x d)
Oil on canvas
PHP 35000
Lorebert "Maralita" Comision
Karera, 2023
55 x 80 x 1.8 inch (h x w x d)
Oil on canvas
PHP 175000
Jonathan Madeja
Sariling Kaalaman, 2023
41.5 x 41.5 x 1.9 inch (h x w x d)
Pen and ink on canvas
PHP 68000
2023
Paniksik, Jonathan Madeja
22 x 16 x 2 inch (h x w x d)
Pen and ink on canvas
PHP 15000
Jonathan Madeja
Saulo, 2023
27.5 x 20.5 x 2 inch (h x w x d)
Pen and ink on canvas
PHP 22500
Altro Mondo_Window Logo
h = 6 inch
Repast_Title
h = 96 inch
Repast_Additional Text 4
h = 84 inch
Repast_Additional Text 3
h = 24 inch
Repast_Additional Text 2
h = 60 inch