Present, Manage
and sell your art

Andreas Streicher

STREICHER - EVOLUTION - ALPHAWORKS

01 Jan 2017 – 31 Dec 2023

permanent exhibition

Vladimir Nosalskiy (LENIN)

RECYCLING

Garno

Missing Roots

Exhibition Of Anita Ashrafi Artworks

Nicola Barth

Redlight district

Are you ready for red? www.instagram.com/ nicola.barth Nicola Barth lives and works near Frankfurt am Main. She completed her master degree in German language and literature, theatre, film and television studies and psychologie at the Johann Wolfgang Goethe University in Frankfurt. She always thougt about writing books, but soon she put her pen out of he hand and picked up a brush to find new forms of expression. Words were no longer sufficient to describe what she was dealing with: permanent metamorphic processes in non-obvious areas. On other levels we need other languages. Her paintings can be understood as a short visual light that gives insight into a temporally ans spatially limited section of a development process. Movements remain as frozen in a gesture without beein still. Painting and drawing mainly in graphite and oil are complemented by tree-dimensional works and digitally manipulated photograhy. The contend follows the same principle and is as abstract and surreal as her paintings. She herselfs says about her work: When everything is loose and in constant movement, everything reacts with everything else, everything finds itself constantly in a process, there is nothing really finished, and when time and space are only fixed ideas, then deception and change are confusion and chance It remains to stopp an d make visible. My analog answer to this is painting/ making art.

st-art

Naima Karim & Astrid de Lange

BRENNECKE FINE ART

Making of Art Karlsruhe 2020

Historic Car Art

THE ART OF MOTORING - VETERAN VINTAGE & CLASSIC CAR ART | ROOM 2

28 Oct 2019 – 24 Nov 2019

Room 2: Annual exhibition held at the Royal Automobile Club, Pall Mall, London from 28 October to 2 November then continuing online until 24 November 2019.

Art In Flow

10 Year Perennial Art

Perennial Art was founded in 2009, and has organised at least one exhibitions every year since then. Perennials first group show was at Sierra Metro Gallery, in Edinburgh. Other shows have been realised in Amsterdam, Berlin, Den Haag, Leipzig, Rotterdam and Utrecht. Perennial does not have a space of their own and host their shows in other peoples venues. Exhibitions have been held in church halls, restaurants, apartments, artists studios as well as proper galleries and project spaces. Many of the exhibitions have been travelling to different counties under the same name, but with slight adjustments to the configuration of the artists and new work. Doing this enabled us to introduce our work to more wider and international audiences. All shows are made up out of an international group of artists from different stages in their careers. On the occasion of our ten year anniversary we organised this exhibition with some of the artists we have worked with before. Perennial Art

Paul Greene

Schematic /City

08 Sep 2019 – 30 Dec 2022

"For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name….” Italo Calvino, Invisible Cities. The Cities series is originated exclusively using 3d, vector and other graphics software. It came into being over several years and no photographs suffered in its creation. All pictorial elements are derived solely by the artist, digitally. “I needed to get at the key ideas underlying all cities, rather than any one city. Cities are an extraordinary mix of the planned and unplanned, the intentional and the unintended consequences of those intentions. By combining the plan and perspective projection views on the same picture plane I also hope to start to describe that process by which cities become inadvertently magical.” You won’t find literal plans here in these rectilinear assemblies. You will find references, allusions and vestiges. Sometimes forcefully etched, sometimes barely perceptible. They are mated with more literal or ‘standard’ representations of the city, with colour a crucial third element. Its use is deliberately non -representational. Colours work with and across the pictorial elements, serving to speak for the city’s more elusive, mysterious, qualities. “ A migrational or metaphorical city thus slips into the clear text of the planned and readable city.” Michel De Certeau “ Walking in the City.” The city can also be seen, therefore, as a multiplicity of migrating "timelines.’’ They bisect, parallel, or intertwine while always remaining discrete, personal, profoundly subjective. They connect homes, places of work, heterotopias of all kinds. These timelines also bear unconscious witness to a wider movement or shifting; that slow sub-audible creaking that is the sound of the city itself. The city on the move. For cities are always on their way somewhere. They are waxing or waning. They are never still. Across, alongside and within the imperceptible settlement of the city there is the possibility of something entirely different: something mercurial, and urgent yet at the same time, with the enchanting power to still, to quiet. This is love. That moment when the milling maelstrom simply stops; when purpose is revealed and meaning emerges and takes shape. take shape. These are moments of deep equipoise, and they can happen to any city dweller at anytime. 4.30pm p.m. one winter afternoon, perhaps. Or 2am a.m. early on a spring morning.…? When, for some mysterious reason, the line flips, becomes a point, and you just happen to be there, to bear witness. Paul Greene

Ernst Merkhofer

Tuscany and Rome

Digital Landscape Photography. Val d'Orcia mainly and Rome.

Free Art Room

Internal Forms 25 - Digital Art

Digital Art

Ville Wiik

World thru my lens, Black

15 Nov 2019 – 31 Dec 2019

My story as a photographer and as a man. These photos represent my growth path as a photo artist and as a child at his 50's. Pictures of this exhibition are all dated years 2018 -2019. Years of big changes in personal life. Exhibition "Black" is about mind trying to adopt to new.

INAOSSIEN Art

O mikron O Mega

18 Nov 2019 – 31 Dec 2019

Nicholas V. K., Sandy Rousianou and Menelaos Sykovelis. INAOSSIEN Art is pleased to present the works of three established artists with three different preferred mediums, all pioneering in lyricism, boldness and expressive power.

Down To Art

Summershow

Welkom op onze summer-groupshow. 16 juni t/m 18/8 2019 Vrijd. Zat. Zond. 13.30u-18.30u Galerij Down to Art Kraanlei 35a 9000 Gent Belgium

Wizard Gallery

Hypnotic Transofrmation Tokyo 2016 by Misha Andersen

02 Feb 2016 – 02 Feb 2022

Hypnotic Transofrmation Tokyo 2016 by Misha Andersen

Vladimir I. Tajč

Feelings and Emotions

18 Sep 2019 – 18 Sep 2020

Vladimir’s Paintings... FEELINGS AND EMOTIONS This is the name that the author has given to his first individual exhibition composed of a series of abstract paintings that describe personal experiences and stories. An intimate journey that goes through different stages of his life, now embodied in the strokes of the adult he meets and defines himself on each canvas. Through various techniques and materials and with the spatula as the main tool, it creates expressive gestures from scraping, by applying layers of paint that leave marks, lines, reliefs and vibrations on the surface expresses an intense emotional depth. Vladimir's works freely traverse the color palette and blend into a provocative range that radiate energy and come alive when they interact with the reflection of light and its different shades.  It is an impact for the viewer, who visually creates a channel of immediate communication between the work and their own perception to subjectively interpret codes, messages, concepts, shapes, figures, landscapes, faces and looks. It is a unique, personal and intimate experience. Non-figurative elements become a new way of perceiving reality and expressing feelings and emotions through wealth and aesthetic diversity. Spanish... SENTIMIENTOS Y EMOCIONES Este es el nombre que el autor ha dado a su primera muestra individual compuesta por una serie de pinturas abstractas que describen experiencias e historias personales. Un viaje íntimo que recorre diferentes etapas de su vida plasmadas ahora desde los trazos del adulto que se encuentra y se autodefine en cada lienzo. A través de diversas técnicas y materiales y con la espátula como principal herramienta crea gestos expresivos provenientes del raspado, mediante la aplicación de capas de pintura que dejan marcas, líneas, relieves y vibraciones en la superficie expresa una intensa profundidad emocional. Las obras de Vladimir recorren libremente la paleta de colores y se mezclan en una provocativa gama que irradian energía y cobran vida cuando interactúan con la reflexión de la luz y sus diferentes tonalidades. Es un impacto para el espectador, quien visualmente crea un canal de comunicación inmediato entre la obra y su propia percepción para interpretar subjetivamente códigos, mensajes, conceptos, formas, figuras, paisajes, rostros y miradas. Es una experiencia única, personal e íntima. Los elementos no figurativos se convierten en una nueva forma de percibir la realidad y expresar sentimientos y emociones a través de la riqueza y diversidad estética.

Art In Flow

Manfred Kirschner. Nur für heute

Es gibt Zeiten, die mehr Camp sind als andere, denn Camp hat nie seine Fähigkeit verloren, subversiv zu sein. Die 60er wie die 80er gehören dazu und möglicherweise auch die Zeit, in der wir heute leben. Camp ist ein Begriff, der eine Ästhetik der Überstilisierung beschreibt, das Frivole, Zweideutige und Künstliche feiert. Es ist ein Bewusstsein mit Geschick zur Übertreibung und auch eine Brücke zwischen akademischer Kunst und Popkultur bis Kitsch. Kirschners Collagen und Malereien zeigen wie diese Ästhetik auf das Programm der „Individuellen Mythologien“ eingewirkt hat, die seit den 1990er Jahren unter Verzicht eines monumentalen Ernstes à la Beuys, vielmehr mit schräger Ironie und einer Faszination für Popkultur an komplex-verschrobenen Welten baut. Fotografierte Personen, Puppen und Plastiken in einer druckgrafischen Landschaft, Fotomodels in einem klassischem Gemälde, farbfotografische Personen in einem Schwarzweißbild, oder umgekehrt in einer Farbwelt sind in seinen Bildern kombiniert und arrangiert. Die Collagen sind mit einer Schere gefertigt und auf Leinwand aufgezogen. Das Papier ist gegen Ausbleichen konserviert und wurde versiegelt. Das Material ist einer Sammlung von Illustrierten und von Druckwerken der 50er Jahre bis heute entnommen. “Man kann das Belanglose ernst nehmen und sich dem Ernsten gegenüber belanglos geben.“ (S. Sontag) Der zeitgenössische Künstler Manfred Kirschner beschäftigt sich in einem subjektiven Prozess mit einer Neudefinition kultureller Bedeutungen, indem er eine überholte Vergangenheit neben derjenigen, die technologisch, stilistisch und zeitgenössisch ist, gegenüberstellt. There are times that are more Camp than others, for Camp has never lost its ability to be subversive. The '60s and the '80s are part of it and possibly also the time we live in today. Camp is a term that describes an aesthetic of over stylization that celebrates the frivolous, the ambiguous and the artificial. It is an awareness with the skill for exaggeration and also a bridge between academic art and pop culture to kitsch. Kirschner's collages and paintings show how this aesthetic influenced the program of "Individual Mythologies", which since the 1990s has relied on a monumental seriousness à la Beuys, rather building with a jarring irony and a fascination for pop culture on complex, eccentric worlds. Photographers, puppets and sculptures in a printmaking landscape, photographic models in a classic painting, color photographic people in a black and white image, or vice versa in a color world, are combined and arranged in his works. The collages are made with scissors and mounted on canvas. The paper is preserved against fading and sealed. The material is taken from a collection of magazines and prints from the 50s to today. "You can take the trivial seriously and give yourself irrelevant to the serious." (S. Sontag) Contemporary artist Manfred Kirschner engages in a subjective process with a redefinition of cultural meanings, juxtaposing an outdated past with the technological, stylistic, and contemporary.

sara

Exhibition of Sara Trentch's Photography

Vladimir Nosalskiy (LENIN)

Photo

our life under a magnifying glass

Artistic by the Sea

ONIRICA

Works by Aisar Jalil Martinez