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Kunstmatrix is a unique tool that enables you to create beautiful 3D showcases of your art to impress art lovers and collectors. Digitally present and manage your art, including an augmented reality app to show a preview of your work in any space you like!


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3D exhibitions

Galerie Carole Kvasnevski

METAMORPHOSE by Dieudonné Fokou

06 Apr 2020 – 27 Jun 2020

Metamorphose by Dieudonné Fokou Cheikh Hamidou Kane écrit dans l'Aventure ambiguë : "Quelquefois, la métamorphose ne s'achève pas, elle nous installe dans l'hybride et nous y laisse." C'est dans ce champ du vaste et du possible, que Dieudonné Fokou vit, il se saisit de la matière torturée, blessée...rejetée. il n'a pas peur de la regarder, mieux il se met à l'aimer. Alchimiste, il brûle, tord, découpe, soude, colle ces objets abandonnés. Il récupère avec amour les carcasses métallisées, les sacs plastiques qui étouffent notre planète ainsi que "les balles perdues" et les vieux ordinateurs dont on se débarrasse au Cameroun et ailleurs...Là où nombreux sont ceux qui ferment les yeux, Dieudonné inlassablement continue, Il répond de la même manière que Camus dans son essai "le mythe de Sisyphe" face à l'absurde: la révolte. Qu'il soit sculpteur ou aujourd'hui peintre , il demeure dans un processus de transformation permanente, en utilisant et réutilisant les déchets, il nous montre que l'objet comme la vie organique forme une force cyclique qui amène à la renaissance. Chaque création est hybride, enchevêtrement de fil de fer qui forme un cortex cérébral, balle qui semble être en arrêt sur image sur un visage en décomposition métallique, maternité constituée d'une mosaïque de plastique...Dieudonné fusionne les genres et les matières. De ce troublant mariage, au delà du recyclage dont il se joue, il questionne sur la fertilité, la sexualité et ses tabous, le conflit qui touche son pays, le gaspillage de l'économie de marché, et enfin ces frontières qui se ferment aux migrants mais qui s'ouvrent à contre courant aux ordures, comme un ultime bras d'honneur à la tolérance, au respect de l'humanité et à la fraternité Cheikh Hamidou Kane writes in l'Aventure ambiguë: "Sometimes, the metamorphosis does not end, it installs us in the hybrid and leaves us there." It is in this field of the vast and the possible, that Dieudonné Fokou lives, he grabs the tortured, wounded ... rejected material. he is not afraid to look at her, the better he begins to love her. Alchemist, he burns, twists, cuts, soda, glues these abandoned objects. He recovers with love the metallic carcasses, the plastic bags that suffocate our planet as well as "the stray bullets" and the old computers that we get rid of in Cameroon and elsewhere ... Where many are those who turn a blind eye, Dieudonné tirelessly continues , He responds in the same way as Camus in his essay "the myth of Sisyphus" in the face of the absurd: revolt. Whether he is a sculptor or a painter today, he remains in a process of permanent transformation, by using and reusing waste, he shows us that the object, like organic life, forms a cyclical force which leads to rebirth. Each creation is hybrid, a tangle of wire that forms a cerebral cortex, a ball that seems to be frozen on an image on a metal decaying face, maternity made up of a plastic mosaic ... Dieudonné merges genres and materials. From this troubling marriage, beyond the recycling that he is playing with, he questions about fertility, sexuality and its taboos, the conflict that affects his country, the waste of the market economy, and finally these borders that close at migrants but who open up against the rubbish, as an ultimate arm of honor to tolerance, respect for humanity and fraternity.

erstereihe.hamburg

leiser als 30 dB - Auf der Suche nach der Stille

01 Mar 2020 – 01 Jul 2020

In der Physik gilt ein Schallpegel unterhalb 30 Dezibel als Stille. Aus einer sinnlichen Perspektive kann Stille noch viel mehr bedeuten als nur die relative Abwesenheit von Schall: Stillstand. Verlangsamung. Eine stärkere Selbstwahrnehmung oder Naturwahrnehmung. Versuchen wir, Stille in der Kunst auszudrücken, so sind es paradoxerweise unsere Augen, die das Konzept besser begreifen als unsere Ohren. Denn über ein Bild lässt sich Stille assoziativ besser vermitteln als beispielsweise über ein Tondokument. Wer als Großstädter wie ich bewusst versucht, Stille zu finden, wird feststellen wie schwierig, ja fast unmöglich das ist. Stille ist rar. Irgendwelche Geräusche umgeben uns immer. Auf meinen fotografischen Reisen begebe ich mich regelmäßig an stille Orte und versuche, das Erlebte festzuhalten und dem Betrachter zu vermitteln.

GuruShots

Borders Photography Exhibition

We are delighted to present a selection of the best entries to our 'Borders' photography challenge. With over 47,000 submissions and 41 million votes, a huge congratulations is owed to those top ranked photographers showcased here. Enjoy the incredible photos on display and don't forget to check out our other exhibitions. This exhibition will also be hosted at Laurent Gallery in Melbourne, Australia in June 2020. To find out more about GuruShots, please visit us at www.gurushots.com VIEW DIGITAL WINNERS

Caza Sikes

Ursula Roma: Fiddles and Flowers

01 Apr 2020 – 30 Apr 2020

Our FIRST-EVER virtual exhibition featuring artist Ursula Roma's fine art, metal work and found object sculpture. Items can be delivered AT NO CHARGE to your doorstep using our white glove service and virus-free! They can also be shipped to all 50 states at an additional cost.

Zuleika Gallery

Trevor Sutton: Prints

12 Apr 2020 – 15 May 2020

Online Private View: 4 - 11 April Please see https://privateviews.artlogic.net/2/8b66a89c9356ef1fdb5eea/ for more information

Atelier Sandra Kolondam

Oneironaut

04 Apr 2020 – 30 Jun 2020

Dr. Bettina Krogemann, M.A., Kunsthistorikerin und Autorin: "Sandra Kolondam spielt gerne mit unseren eingefahrenen Sehgewohnheiten. Wie ihr das gelingt? Sie schafft Polyperspektiven auf einem Bild, die lebendige Situationen zwischen Hintergrund und Vordergrund schaffen. Sie vermengt Maßstäbe in ihren Bildwelten, die das Reale wieder wegnehmen, womit Gegenständliches und Figürliches einen anderen Wesenszug bekommt. Beides wird so fiktional und betont den artifiziellen Charakter des Gemäldes. Ein wichtiges Mittel, um solche Effekte zu erreichen, sind Eigenschaften und Wirkungen von Farben und ein genauer, wissentlicher oder intuitiver, Einsatz derselben. Der Betrachter wird mit dieser Gestaltung durch verschiedene Malebenen mit auf die Reise genommen. ​ Viele von Kolondams Gemälden spielen so mit dem Bildhorizont, der Sicht auf die Dinge, der Perspektive. Oben wird zu unten, groß wird klein und klein wird groß, das wahrnehmende Auge wird durch ein Wechselspiel von vorne nach hinten oder retour geführt. Zu entdecken gibt es viel, fast wie in der trickreichen Trompe-l’œil Malerei mit ihren Phantasielandschaften und ganz ähnlichen spielerischen Perspektiven aus vergangenen Zeiten." ____ ​ Dr. Bettina Krogemann, M.A., Art historian and author: "Sandra Kolondam likes to play with our established viewing habits. How does she manage this? She creates polyperspectives on a picture, which create lively situations between background and foreground. She blends scales in her pictorial worlds, which take away the real again, giving the representational and the figurative a different character. Both thus become fictional and emphasize the artificial character of the painting. An important means to achieve such effects are the properties and effects of colours and a precise, conscious or intuitive use of them. With this design, the viewer is taken on a journey through different levels of painting. Many of Kolondam's paintings thus play with the horizon, the view of things, the perspective. Top becomes bottom, large becomes small and small becomes large, the perceiving eye is guided by an interplay from front to back or back. There is much to discover, almost like in the tricky trompe-l'œil painting with its fantasy landscapes and very similar playful perspectives from times gone by." Alle Preise in EUR und inkl. 7 % MwSt.

edition-go

DOPPELSPUR (Raum 1)

20 Mar 2020 – 20 Apr 2020

Die Ausstellung DOPPELSPUR konnte im Wasserturm Dachau nicht stattfinden. Sie finden hier eine Auswahl an Arbeiten in einem virtuellen Ausstellungsraum. Wir hoffen, die Ausstellung real vor Ort zu einem späteren Zeitpunkt zeigen zu können. Dennoch: viel Vergnügen mit unserem ersten virtuellen Auftritt in kunstmatrix. WEBSITE von EDITION GO: http://gisela-oberbeck-go.com/

edition-go

DOPPELSPUR (Raum 2)

20 Mar 2020 – 20 Apr 2020

WEBSITE von EDITION GO: http://gisela-oberbeck-go.com/

Tim Bilman

Meet the Sherbro

21 Mar 2020 – 30 Apr 2020

Surviving a Civil war and Ebola. Now the Sherbro people of Sierra Leone are facing a new enemy; Climate change. In 2018 I visited the remote Turtle islands. A few islands slowly eaten by the ocean, without medical care but with truly amazing residents.

John Gammans

Retrospective

This is a retrospective exhibition of work by the Somerset based abstract impressionist, John Gammans. Looking back over the past few years at works that have found new homes with UK based collectors.

Iain Merchant

Inside Out

28 Mar 2020 – 28 Mar 2021

This project is focused on creating abstract images that represent the thoughts and feelings we have on the inside as if we could see them on the outside. The beauty of this project is that each individual can engage according to what you see and feel, whereas the titles represent what I saw and felt when creating

gowithYamo

Op Art

An exhibition of Op Art artworks.

Peter Veen

FLAB

FLAB are Floating Algea Beds, photos of the surface of ditches, made in several seasons. Abstract art, made by Nature.

Galerie Syndrome de Stendhal

Exposition Elise BARAT / AmEmo

27 Mar 2020 – 27 Jun 2020

L'exposition Elise Barat / AmEmo Marion Emonin devait se tenir à la galerie dès le 28 mars. En cette période compliquée, notamment pour nos artistes, nous avons décidé de maintenir l'exposition sous forme numérique, en attendant la réouverture de la galerie. Ces deux jeunes artistes de talent ont énormément travaillé pour vous offrir des œuvres de qualité et il serait injuste de les laisser dans l'ombre de l'atelier. Nous espérons que vous apprécierez la visite et que vous la poursuivrez à la galerie. Voir ces œuvres devant vous, croyez-nous, cela en vaut la peine. Si vous souhaitez soutenir les artistes et qu'une oeuvre vous plait, vous pouvez dès maintenant la réserver en prenant contact avec nous. Nous avons fait le choix d'une présentation mélangée entre les œuvres Telle une ballade imaginaire selon notre inspiration Merci de votre soutien !

That Art Gallery

Big Boys Don't Cry

27 Mar 2020 – 30 Apr 2020

For the foreseeable future the physical gallery will be closed & (depending on health guidelines) may become ‘by appointment only’ in the future. Email: info@thatartgallery.com or contact us via social media if you’d like any information about the artists or artworks on the website. www.thatartgallery.com


all exhibitions

Your tools to organize, promote and sell your art.

art.depot

digital inventory management

A central database to organize, categorize
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virtual exhibition rooms

Your beautiful exhibitions online in three dimensions. Virtual space to curate, present and archive. Exhibition architecture by KUNSTMATRIX or customized.

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art presentation to go

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sales management

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10 public 3D exhibitions

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50 public 3D exhibitions

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