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Leigh Kemp

Leigh Kemp

Leigh Kemp

As I sit here looking at my modern digital cameras I’m reminded of my first camera and, in particular, the first photograph that I ever took. Nowadays we take cameras and camera technology pretty much for granted but when I was a child I can’t remember many photographs. The only time our camera saw the light of day, and it had to be the light of day, as there wasn’t a flash, was on a few family occasions, the usual thing, school sports days, birthdays, etc.. My interest in photography didn’t start until my grandfather “loaned” me his camera to take with me on a week-long school trip, sleeping under canvas, in Snowdonia, North Wales. It was a somewhat battered old twin-lens reflex camera in which one looked downwards in to the viewfinder when taking a photograph.


I remember being very excited at being entrusted with the family camera, film wasn’t cheap and I had very little to no idea how to use it. The experience must have made some kind of impression on me as, after all these years, I still remember taking my first photograph. The coach stopped en-route at Blenheim Palace, the ancestral home of Sir Winston Churchill and it became the subject of my first photograph. Although, sadly, like my other photographs from the trip, it has long since disappeared, however, I really don’t need the photograph to remind me as the experience is indelibly etched on my mind. I wonder if this is perhaps where my interest in landscape photography stems from but that’s probably too much of an assumption. As far as I remember I was the only kid on the trip to have a camera, that’s how different things were, nowadays, just about everyone has a camera of some sort built in to their mobile phones. It also taught me to be disciplined to the point of being frugal when taking photographs as the trip was for one week and I only had a 12 exposure black and white film in the camera.


Some years later I really got the photography bug and bought my first camera, an Olympus OM-1 35 mm film camera and I went on to own their OM-2 and OM-4ti cameras and a range of lenses. Film was still pretty expensive considering I earned about £20 a week in my first job so I got in to developing and printing my own black and white and, later, colour films to help keep the costs down and make things more affordable. Not only did this experience teach me an awful lot about image-making start to finish, many of the techniques and skills that I learned in my makeshift darkroom, a small room adorned with genuine World War 2 blackout curtains fitted to keep out the light, another hand-me-down from my grandfather, these skills would re-surface and be invaluable some years later when I started working on processing my digital images.


I put myself through University as a mature student and I badly needed the money so I had to very reluctantly part with all my photographic equipment, but needs must. After I graduated I bought my first digital camera, a small fixed lens Kodak compact camera, reduced in a sale. It had, by today’s standards, a laughably small maximum image resolution of 640×480 pixels or, to put it another way, a stunning 0.4 Megapixels!. For all of this and further equipped with screw on wide angle and telephoto lens attachments, it proved to be a fabulous little camera which I took all over the place with me. Put simply, digital photography was a revelation, to me, no requirement for film, no real running costs and a lot of image capacity on a small memory card which I found absolutely liberating.


A few years before that I had discovered some free graphics editing software on the cover disk of a computer magazine and that started off my real passion for working with graphics and, ultimately, photo processing. So I then had all the tools I required to develop, pun intended and further, my interest in digital photography. Processing is where the magic starts for me, I am totally absorbed in and fascinated by the range of options that digital processing affords me. It encourages me, if, that is, I ever need encouragement, to constantly experiment with new styles, new techniques and is such an important part of my enjoyment and interest in photography.


I went on to own several DSLRs but, as I got older I began to find that they were simply too heavy and bulky. I switched over a few years ago to Micro Four Thirds cameras and lenses. My choice of MFT system was heavily influenced by my experiences with my Olympus film cameras, maybe it was, in truth, part based on nostalgia that I decided on their OM-D system. As a landscape/travel photographer I have to carry my gear around all day and the weight and bulk saving is highly significant. I’ve been very impressed with the image quality of my Micro Four Thirds equipment, it has traveled with me extensively, never let me down and I have never had cause to question my decision to go over to that format.


So my 50 year photographic adventure has led me from twin-lens reflex and single-lens reflex film cameras to digital cameras, from stumbling around in a dimly-lit darkroom to working with my images on my computer. I’ve heard it said on occasions, including a comment I read some while back by a very famous photographer, that cameras being so much an every-day item now and available in mobile phones etc. devalues photography. I feel quite the opposite, I firmly believe that it empowers everyone with affordable technology to take photographs and enjoy photography and that, in my opinion, is fantastic. Although I’ve very much enjoyed my personal photographic journey I do confess to feeling a slight tinge of regret that the technology wasn’t available when I started out but one can’t put the clock back and I intend to keep on embracing all these great technological advancements, experimenting and enjoying my work.


You can see more of my work on my website - http://www.leighkemp.co.uk and follow my work on my blog - http://www.leighkempphotoblog.co.uk my Flickr page - https://www.flickr.com/photos/leighkemp/ and also on Twitter - https://twitter.com/leighkemp123


London, United Kingdom

3D Ausstellungen

  • Leigh Kemp

    "Visualisations" by Leigh Kemp

    My artwork 'visualised'. A selection of my recent 2019 works, I shall add more works to the gallery as I finish them so please check back. I describe my work as 'Paintography'. All my work starts out photographic and end up more akin to 'digital art'. With this gallery I am trying to experiment with displaying my art in a more natural, domestic environment where I believe that it belongs and attempt to break away from the sterile and somewhat soulless gallery environment.

  • Leigh Kemp

    Paintography by Leigh Kemp

    A selection of my recent paintographic works including works from my travels in Corfu, Rome, Brussels, Prague and various locations the UK. All of the works are linked to my website and shop - http://www.leighkemp.co.uk I work in a variety of techniques and styles including landscapes, riverscapes, abstract and surreal. I hope that you find my work appealing and of interest. I take photographs because I really enjoy photography. I endeavour to create digital art because I LOVE art. A while back I stumbled across the perfect description for my type of work “Paintography” some years after I stumbled into it completely unaware that there was such a thing. I guess this is where the photographer in me stops and my artistic side takes full-rein if indeed one can separate one from the other. Put simply, this is the point where I have complete artistic freedom to explore and mix different techniques and open the lid on a Pandora’s box of artistic possibilities, such a large box that even after some years I’m very much still discovering and experimenting with new things.

    neueste Werke

    • Leigh Kemp

      The Mariner and Blue bridge, 2019
      photography
    • Leigh Kemp

      Window to a different world, 2018
      photography
    • Leigh Kemp

      Une fantasme sombre, 2019
      photography
    • Leigh Kemp

      T.... T.... T.... Tiger!, 2019
      photography
    • Leigh Kemp

      Town houses, Bruges, 2019
      photography
    • Leigh Kemp

      The swan, 2019
      photography
    • Leigh Kemp

      The parrot sketch, 2018
      photography
    • Leigh Kemp

      The Japanese garden, 2019
      photography
    • Leigh Kemp

      The Falstaff, Brussels, 2018
      photography
    • Leigh Kemp

      Riverbank, 2019
      photography
    • Leigh Kemp

      Pretty in Pink, 2018
      photography
    • Leigh Kemp

      Pretty country lane, 2019
      photography
    • Leigh Kemp

      Porto - Monochrome landscape, 2019
      photography
    • Leigh Kemp

      Petersham Landscape, 2019
      photography
    • Leigh Kemp

      Neighbours, 2019
      photography
    • Leigh Kemp

      Molesey lock and weir, 2019
      photography
    • Leigh Kemp

      Landscape - Lewes, 2019
      photography
    • Leigh Kemp

      In our English towns, 2019
      photography
    • Leigh Kemp

      Going for a swim, 2019
      photography
    • Leigh Kemp

      Ferry across the Mersey, 2018
      photography
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