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Kunstmatrix is a unique tool that enables you to create beautiful 3D showcases of your art to impress art lovers and collectors. Digitally present and manage your art, including an augmented reality app to show a preview of your work in any space you like!


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3D exhibitions

  • Galerie Friedmann-Hahn

    Memento Mori

    29 Mar 2017 – 07 May 2017

  • Galerie Ludwig Trossaert

    Christian Satin

    01 May 2017 – 31 May 2017

    Christian Satin is represented by Galerie Ludwig Trossaert. Trans-realism is the expression of immersive situations and images intended to blur the demarcation line between imagination and reality. Satin paints trans-realist paintings and triptychs in which coherence between time is interrupted by the insertion of scenes that create another reality. His vision flows from the current perception of the world at the heart of a universe, where the reality of apparent experience is integrated into space-time; a theatre of apparently chance transformations into the cosmos, and our singular and precarious perception of the quotidian. Similarly, the universe and evolution impose their superior changes onto the potential and imaginative capacity on the brain. Satin believes that at the start of the 21st century, after attempts to make clean break from everything, addressing sensitivity as much as the mind.

  • Paul Greene

    The Shipping Forecast

    03 Apr 2017 – 03 Apr 2020

    The Shipping forecast is broadcast daily on BBC radio. It is designed to alert seafarers to the dangers of the constantly shifting weather conditions that characterize the seas around the British Isles. These seas divide into 31 named regions which, over time, have acquired an almost liturgical familiarity. The UK itself lies at the junction of four great wind systems: Polar Maritime, Polar Continental, Tropical Maritime and Arctic. These systems are the invisible guiding hand governing the UK’s sea conditions. Their unseen collision is the reason seas can be wildly different between one region and another, even when those regions are adjacent, and even at different times on the same day. This relentless mutability can be seen as a metaphor for the UK itself where the cultural landmass is continually being shaped, reformed and re-aligned by the forces of rapid and striking change. In this work Greene explores our response to this change and how that response is conditioned by deeper ideas about nationhood and identity. Each sea region is given its own, essentially arbitrary, Union Jack variant, underlining the tangential relationship between geography and culture. The fixed graphic identity of national flags can be seen as an oddly successful attempt to bond these two essentially disparate ideas. In this work Greene explores the mysterious power the UK landmass has to evoke profound feelings about, nationality, patriotism, identity and belonging, and the catalytic role the Union Jack flag has in triggering these thoughts and ideas. An examination of this reflex response is a defining feature of this work. Paul Greene 2016

  • BRENNECKE FINE ART

    SALOMÉ - Schwimmer und Seerosen

    04 Mar 2017 – 05 Apr 2017

  • Free Art Room

    Internal Forms 14

  • Art In Flow

    Aleksandra Koneva. Fucking Russian Soul

    Dies ist keine politische Ausstellung, obwohl sie die Hintergründe einer Mentalität befragt. Was ist das: „die russische Seele?“ - ist sie auch ein Exportprodukt wie Wodka, Kaviar oder der Don Kosaken Chor? Möglich, dass sie ein Erbe der großen russischen Schriftsteller und Dichter wie von Puschkin, Leskow, Gogol, Dostojewski, Nekrassow und Jessenin ist. Denn sie haben die Charaktere und Handlungen geschaffen und die bis dahin unbekannte russische Melancholie mit all ihre Paradoxien und Extremen beschrieben. Die Künstlerin Aleksandra Koneva liebt es in ihren Werken zu spielen. Sie spielt mit den Sinnen, mit Gefühlen, mit Gegenständen und mit unterschiedlichen Materialien. In der Serie „Blini à la carte“ bearbeitet Koneva den Blin (Pfannkuchen), eine aus Osteuropa stammende Teigspeise als Thema. In „Dostojevski und Disney II“ verrät schon der Titel der Serie, dass es um die dunkle Welt des russischen Schriftstellers und das bunte Reich des amerikanischen Films geht. Die berühmten Disney Figuren haben Anfang der 80er Jahre einen Weg durch den eisernen Vorhang gefunden. In Konevas Kunst sind sie seitdem eine Art begleitende Versuchsobjekte. In ihren analogen s/w Fotografien siedelt sie die Disney Figuren in ihrer Heimatstadt Petersburg an, um zu sehen wie sie auf harte soziale Bedingungen, Armut und Kälte reagieren. In diesem „Russifizierungsprozess“ haben sie sichtlich an Glanz und Glamour verloren, sie sind krank, alt und obdachlos geworden, aber sie haben überlebt. Die aus Holzplatten geschnittenen übermannsgroßen Figuren sind mit Materialien bekleidet, die daran erinnern, wie in sozialistischen Zeiten defekte Materialien nicht einfach weggeworfen wurden, sondern eine andere Verwendung fanden. Konevas Objekte und Fotografien verkörpern ein Stück Kulturgeschichte, in der wertvolle und kitschige, anspruchsvolle und bizarre Dinge nebeneinander stehen. This is not a political exhibition, although it examines what underlies a mentality. What is this thing, »the Russian soul«? – is it also an export product like vodka, caviar, or the Don Cossack choir? Maybe it’s a legacy of the great Russian writers and poets like Pushkin, Leskov, Gogol, Dostoyevsky, Nekrassov, and Jessenin. Because they created the characters and plots and described the formerly unknown Russian melancholy, with all its paradoxes and extremes. The artist Aleksandra Koneva loves to play in her works. She plays with the senses, with feelings, with objects and various materials. In the series »Blini à la carte«, Koneva works with the theme of the blin, a thin pancake prepared in Eastern Europe. In »Dostoyevsky and Disney II«, the series title already reveals the focus on the dark world of the Russian author and the colorful realm of American film. The famous Disney figures found a path through the Iron Curtain at the beginning of the 1980s. In Koneva’s art, they have been a kind of constant experimental objects. In her analog black-and-white photos, she settles the Disney figures in her home city, Petersburg, to see how they react to the harsh social conditions, poverty, and cold. In this »Russification process«, they have visibly lost their glow and glamour; they have grown ill, old, and homeless, but they have survived. The larger-than-life-sized figures cut from wooden panels are covered with materials that remind us how, in socialist times, defective materials were not simply thrown away, but put to other uses. Koneva’s objects and photographs embody a piece of cultural history that juxtaposes the valuable and the kitschy, the sublime and the bizarre.

  • Galerie Friedmann-Hahn

    Kunstessenzen XV

    28 Jan 2017 – 18 Mar 2017

    Künstler der Galerie

  • Art In Flow

    Lupe Godoy. Botánica

    Die spanische Künstlerin Lupe Godoy widmet sich in ihrem Werk besonders der Collage. Das Material ihrer Arbeiten stammt aus verschiedensten Quellen, wie beispielsweise aus Kunst-, Mode- oder Lifestyle-Magazinen. Die Ausschnitte vermischt sie mit japanischer Tusche und Farbe. Die Materialität des Papiers, sein Alterungsprozess und die Druckqualität spielen eine zentrale Rolle für ihre künstlerischen Entscheidungen, Serien und Erzählungen. Lupe Godoy´s Collagen aus (re-) produzierten Fotografien thematisieren Überfluss, Kunstgeschichte, Geschlechterrollen und Ökologie. Sie hinterfragen unsere Vorstellungen von Schönheit, unser Bild des Anderen und des Fremden. The Spanish artist Lupe Godoy, based in Berlin, focuses in her work mainly on Collage. The material of her work comes from a variety of sources, such as art, fashion outdoors and lifestyle magazines. The cut-outs are mixed with Japanese ink and acrylic paint. The materiality of the paper, its aging process and the print quality play a central role for her artistic decisions and narrations. Lupe Godoy's collages of recycled photographs focus on abundance, art history, gender roles and ecology. They question our notions of beauty and our image of the other.

  • Edina Hadzic Paintings

    Affektion

    22 Jul 2016

    Edina Hadzic, eine Kunst mit der Idee, Bilder von ästhetischem Charakter für das Gemüt zu zeigen - mit der "Leidenschaft der Seele" eines künstlerischen Beobachters. Es geht um die stille Entsagung, den unsichtbaren, selbst geschürten Verdruss und bittersüßen Schmerz, der unserer individuellen Existenz widerfährt. So wandelt sich die Stimmung zur bleibenden Grundlage unserer Auffassung des Lebens. Edina Hadzic, art with the idea of showing pictures of aesthetic character of mind - with an artistic observer’s “passion of the soul”. It’s about silent renunciation, the invisible, self-induced bitter-sweet pain, which is contrary to our individual existence. Thus the mood changes to the permanent basis on our conception of life.

  • Roger König Art

    exhibition of Roger König contemporary art 2016

    Roger König – abstraction in acrylic You have a fondness for contemporary art? You are on the search for an exclusive piece of art which underlines your individuality? Then experience through the pictures by Roger König, how art triggers emotions. It casts a spell on the viewer, is part of your own home and thus of your entire life. The works of the artist living in Dessau are equally unique and tension-filled. Thereby, he always draws abstractly and by doing so, he leaves enough room for the most diverse personal associations or emotions. Haptical surfaces are characteristic for the work of König, just as elaborately composed colors are. Off-white shades and warm earthy tones combined with luscious gold are standing next to cool nuances of grey and blue. Also powerful emphasizes in a luscious red can be found in his pictures. They integrate into their environment harmonically without being solely decorative. Often, there are lines, scratches or breaks in the surface, as if the canvas had been covered with a fair patina. More subtle strokes in the color bring graphic characters to mind, color gradients natural phenomena, divided canvasses the contrast which is immanent in everything: the principle of yin and yang. König combines modern painting with acrylic with old techniques and in this way, he connects contemporary art with tradition. The natural clay color bestows the pictures with a completely special dim texture which stands in an exciting contrast with the delicate luster of the acrylic color. The features of the clay color allow a more intensive treatment of the surface. The artist does not work entirely non-representational, but includes figurative elements into his pictures as well indeed: his portraits and representations of figures bridge between abstraction and figuration. Also elements from the nature, like trunks, can be identified. However, through the abstracting manner of painting, they stay vague and must be read like universal codes. In this case as well, it is up to the viewer what he or she would like to see. In each moment, new things can be discovered in the picture, it changes its meaning: depending on the light, the time of the day or on your own personal mood. Enrich your flat, your office, your daily environment with an abstract picture by Roger König. Take your time to have a look around in the gallery, discover your favorite piece and acquire your picture exclusively from the artist. The canvasses are created in a way so that you can hang them up directly. The high quality also becomes visible through the fact that the edges are always painted. Alongside your picture, you will receive a certificate which proves its authenticity, of course. Every canvas is unique, every single one is individual – just like you are.

  • Jea Pics

    I A M N O T H E R E - 2016

  • Galerie Michael Schultz

    The Disapperared II

    Stephan Kaluza

  • Galerie Christian Hosp

    Gigi Scaria "Settlement"

  • Galerie Ludwig Trossaert

    New York Exhibition Room

    BAHRAM´s art invites to transform the famous destination of great poetry, in that it appears as a speaking picture. BAHRAM creates such oeuvres. If you look at the past 10 years of his painting, you can not but recognize that he is obsessed by a vision. The subject of his art is the human being I his solitude. And this vision which – as he shows us – may become a picture but goes beyond language, is translated into the diction of symbols. The continuity of the motives is impressing: the face, the body of the human being, the empty room, the inaccessible towers, the dilapidated homes. Landscape as force of nature or chimera. By the end of the 80ies, all this was already present but still domesticated by a strong mimetic element. The villages were still villages in the form of a group of homes in front of horizons. Since then, however, in particular after the predominantly informal years from 1991 until 1993, a tremendous concentration of the expression had its way. It appears as if you could speak of a persecution by faces, of eyes looking from below to above, of masks, square, massive, threatening. Looks which never arrive and hands tying to reach the unreachable with long spread fingers. In this picture world we did not encounter the Bacon´s brutality of battered bodies; in contrast; a permanent ironic citation of civilization escorts the observer, the creatures with collar and tie. And yet, it is a fantastic world in which heads and bodies are put side by side. A face with a piercing expression in its eyes contrasts not rarely with a featureless face. The unattainability segregates the couples. A blue face up to each other as “Duumvirat” of a reign´s allegory. There is something unalterable in his pictures – as if the image of mankind seems to be a verdict. However, apart from this urgency liberty has also its effect being present as space and color. The image of mankind changes to a memorial of its vulnerability. Luminosity and gloom, water, soil, gale are already present before the individuals. It appears as if they grow out of a primordial chaos, as if they were released from the force of the elements. BAHRAM is the creator of a dramatic world of painting. (Prof. Dr. Christoph Miethin)

  • ZENITART

    Alfredo Palmero

  • Art In Flow

    Anthony Dodds. Hoi Polloi

    Anthony Dodds Poträtfotografie eröffnet einen natürlichen Blick auf die Persönlichkeit und den Charakter von Personen. Er schafft Porträts, die intim und nah, zugleich unaufdringlich und distanziert sind und Identität offenbaren. Indem er zurücktritt, gibt er den Personen Raum für Stimmungen, in denen sie sich wohlfühlen und sich selbst repräsentieren. Die Porträtserie ‘Hoi Polloi’ (griech. „die Vielen“) zeigt Generationen, Ethnien, Nationalitäten und Religionen der durchmischten Gemeinschaft im bevölkerten Canggu/Bali. Die vielen einzigartigen Gesichter der Menschen – in der großen Masse. Anthony Dodds flicks the latches off our personal shutters, to peer behind the barriers we unconsciously put up. By stepping back and giving his subjects space to feel comfortable, to be genuine, he captures moments that reflect true personality. He creates portraits that are intimate, but at the same time feel distant, that reveal identity, without being intrusive. The ‘Hoi Polloi’ (greek, the many) portraiture series holds a mirror up to the many ages, ethnicities, nationalities and religions who make up the eclectic community in Canggu,Bali. The many unique faces – in a big mass.

  • ALISON DUNLOP RSW

    INNER SOUND

    "Looking out through my windows to the sea on the north-west coast of Scotland, it often feels like I’m the only witness to an immense spectacle of unfathomable drama and mystery. This experience has taken me over and become a powerful, if not dominating, influence on my creative impulses – adding another vital strand to my work. Since 2008, when we restored the old stone barn which is now used as my studio, I have been building up a new body of work. It began with a series of watercolours and has now moved into oils - my attempt to find an equivalent in paint for the experience of looking out to the seas of the Inner Sound and the Minch."

  • Randi Strand

    Tales of New York/Simon & Garfunkel

    An exhibition inspired by Simon & Garfunkel collect their CD "Tales of New York" which was released in March 2000. This is a slightly odd collection of tunes, since it appeals to a small audience that wants to listen to more than "The Best" and who want to immerse themselves in many of the tunes you rarely hear. This disc contains almost everything that the duo recorded.

  • Maxim Bukin

    First Exhibition of Maxim Bukin

    My First Exhibition

  • Graham

    exhibition of Graham Bannister

    Nature & Myth. Images observed through movments of water over rocks, revealing mystical spiritsm veild by Nature. Trees. Since the dawn of time selfless givers.


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