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Bruno Cerboni

BRUNO CERBONI FINE ART NFT GALLERY EXIBITION

05 Apr 2021 – 05 Apr 2023

BRUNO CERBONI FINE ART NFT GALLERY EXIBITION ARTWORKS OF BRUNO CERBONI on FOUNDATION and OPENSEA SOME OF MY ILLUSTRATIONS OF THE DIVINE COMEDYSERIES “PEOPLE OF THE WORLD”ENJOY THE INTERACTIVE VISIT IF YOU LIKE AN ARTWORK, CLICK THE LINK AND BUY IT

Savremena Vrsac

Forme kao prostori (za) razmišljanja - Milan Nešić

05 Apr 2021 – 25 Apr 2021

Još od trenutka kad je početkom prošlog veka (1913) Dišan konceptualizovao praksu uvođenja predmeta (iz) svakodnevne upotrebe u korpus/kontekst umetnosti ― diskusije na temu odnosa između (svakodnevnih) predmeta sa jedne, odnosno tela/dela sa druge strane, nimalo ne gube na svojoj aktuelnosti. Među poglavljima te ― uvek aktuelne i nikad do kraja ispričane priče ― nalazi se i slikarski opus Milana Nešića, koji prisustvo materije (materijala) na crtežima i platnima koje radi uvodi već sa svojim ranim, studentskim radovima. Sam Nešić svoja platna radije naziva radovima nego slikama (Namerno se ograđujem od reči “slikarstvo” jer smatram da sam malo toga “naslikao”), na ovaj način naglašavajući upravo manuelni momenat, tačnije niz momenata koji podrazumevaju kombinovanje, apliciranje, lepljenje, kolažiranje,..., koji njegove slike približava kategoriji trodimenzionalnih (vizuelnih) objekata. Locirane u međuprostoru između slika i radova, ali i između slike i slikarstva ― Nešićeve vizuelne strukture, mentalne i fizičke/fizikalne propozicije i vežbe, ili, jednostavno rečeno, slike-objekti u formi vizuelnog dnevnika svedoče upravo o umetnikovoj (umetničkoj) svakodnevici kao dominantnoj "temi" i karakteristici ove umetnosti. Dnevnički karakter ovih slika-znakova akcentovan je činjenicom da na većini radova Nešić ispisuje i datume njihovog nastanka. Pri tom on ne prikazuje (još manje opisuje) svakodnevicu ― već istu, najpreciznije rečeno, registruje. Na ovaj način (trajno) memorisani, datumi nastanka Nešićevih slika prevazilaze sami sebe ― istovremeno funkcionišući kao njihovi naslovi ali, podjednako, i kao intimni dnevnički zapisi. Opredeljujući se za strategiju malih pomaka, opus Milana Nešića predstavlja kontinuirano kretanje i stalno nadograđivanje (gomilanje, svođenje, pročišćavanje, akumuliranje, ...) stilskog (formalnog) obrasca koji je ovom slikaru već obezbedio široku prepoznatljivost što samo po sebi uopšte nije mali domet. Nebojša Milenković O autoru Milan Nešić Rođen 1976. godine u Sremskoj Mitrovici. Upisao Fakultet likovnih umetnosti u Prištini 1997. godine. Diplomirao na Katedri za slikarstvo Akademije umetnosti u Novom Sadu u klasi prof. Jovana Rakidžića 2003. godine. Završio Master studije na Katedri za slikarstvo Akademije umetnosti u Novom Sadu 2015. Izlagao samostalno na 25 izložbi I učestvovao na preko 60 grupnih izložbi u zemlji I inostranstvu. Dobitnik godišnje nagrade Akademije umetnosti Novi Sad za slikarstvo 2003. godine I nagrade “Perspektivni” kao najbolji mladi stvaralac u kategoriji slikarstvo “Art Klinike” 2003. godine.

Arts Mid-Hudson

Leading with Artivism - Nestor Madalengoitia

06 Apr 2021 – 31 May 2021

Touchstone Gallery, since 1976

The Colors of Hope by David Sloane

07 Apr 2021 – 07 May 2021

“As spring shrugs off the dark COVID winter, and Americans are getting vaccinated in record numbers, I see a glimmer of hope that normal life is gradually returning. This recognition -- which struck me like a bolt of lightning shortly after the New Year -- prompted a frenzied effort to capture on canvas the welcome sense of hope and renewal welling up in me. The tantalizing prospect of again being able to resume the life I once took for granted (i.e., gathering with family and friends, going to the movies, or out to an art exhibit opening at Touchstone) is no longer an abstraction. We humans are returning from the abyss -- an abyss of hopelessness, death, distrust and fear. And that is worthy of celebration … in this case a visual celebration!” “Color is a power which directly influences the soul.” Wassily Kandinsky “Color! What a deep and mysterious language, the language of dreams.” Paul Gaugin “I found I could say things with color I couldn’t say in any other way -- things that I had no words for.” Georgia O'Keeffe “Color is the place where our brain and the universe meet.” Paul Klee To learn more about my work, please visit: Artist’s Website: www.dpsloane.com Artist’s Instagram: https://www.instagram.com/dpsloane

Cakravala

Vaitasa

10 Apr 2021 – 15 May 2021

Kloser Contemporary Art

BAYUNGA KIALEUKA - THE SILENT VIOLENCE OF SOULS

08 Apr 2021 – 30 Jun 2021

The show focuses on recent works of American-Congolese artist Bayunga Kialeuka.

Vian Borchert Gallery

Paintings by Vian Shamounki Borchert

Paintings by Vian Shamounki Borchert

Gertrud Bedersdorfer

Sehnsuchtsorte-lieux de désir-places of longing

04 Apr 2021 – 25 Jun 2021

Gertrud Bedersdorfer, gebürtige Saarländerin, lebt und arbeitet in Mannheim und seit 2020 auch wieder im eigenen Atelier im Saarland, an der deutsch-französischen Grenze. Sie beschäftigt sich seit ihrer Ausbildung zur Handweberin 1984 mit textilen Arbeiten und seit 1995 intensiv mit abstrakter Malerei. In den Arbeiten der letzten Jahre findet sie eine Verbindung von der Malerei zu ihren textilen Wurzeln: in den vielschichtigen Collagen schafft sie mit der Bildstickerei eine zweite oder sogar dritte Bildebene, ein Vermischung von Farben und Texturen, die zu einer Verdichtung und einer großen Tiefenwirkung führen. Die hier gezeigt Serie „Sehnsuchtsorte“ vermittelt eine Atmosphäre des Südens, des besonderen Lichts dort, der starken Farbigkeit, des intensiven Lebens. Im Kontrast dazu hängen großformatige Papierbahnen, fast wie Fahnen: großzügige Malerei mit reduzierter Farbpalette. Erdtöne, „ Kaffeefarben“ und Indigo herrschen vor, strahlen Ruhe und dennoch Bewegung aus. Diese Farben finden sich in der Serie „Texturcollagen“, dessen Malgrund eine eigene, gestaltete Textur aufweist und durch die Malerei hindurch wirkt. Auch hier also eine weitere Bildebene, die subtil sichtbar bleibt. Gertrud Bedersdorfer, originaire de la Sarre, vit et travaille à Mannheim et, depuis 2020, à nouveau dans son propre atelier en Sarre, à la frontière franco-allemande. Elle s'est engagée dans des travaux textiles depuis sa formation de tisserande à la main en 1984 et dans la peinture abstraite de manière intensive depuis 1995. Dans les œuvres de ces dernières années, elle trouve un lien entre la peinture et ses racines textiles : dans les collages multicouches, elle crée un deuxième, voire un troisième niveau d'image avec la broderie d'image, un mélange de couleurs et de textures, qui conduit à une condensation et à un effet de profondeur important. La série présentée ici, "Sehnsuchtsorte" (Lieux de désir), transmet une atmosphère du sud, de la lumière particulière qui y règne, des couleurs fortes, de la vie intense. En revanche, des panneaux de papier de grand format sont suspendus, presque comme des drapeaux : une peinture généreuse avec une palette de couleurs réduite. Les tons de terre, les "couleurs café" et l'indigo sont prédominants et dégagent une impression de calme et de mouvement. Ces couleurs se retrouvent dans la série "Texture Collages", dont le fond de la peinture a sa propre texture conçue et travaille à travers la peinture. Ici aussi, un autre niveau pictural reste subtilement visible. Gertrud Bedersdorfer, a native of Saarland, lives and works in Mannheim and since 2020 also again in her own studio in Saarland, on the German-French border. She has been working with textiles since her training as a hand weaver in 1984 and intensively with abstract painting since 1995. In the works of recent years, she finds a connection from painting to her textile roots: in the multi-layered collages, she creates a second or even third pictorial level with pictorial embroidery, an intermingling of colours and textures that leads to a condensation and a great depth effect. The series "Sehnsuchtsorte" (Places of Longing) shown here conveys an atmosphere of the south, the special light there, the strong colours, the intense life. In contrast, large-format paper panels hang almost like flags: generous painting with a reduced colour palette. Earth tones, "coffee colours" and indigo predominate, radiating calm and yet movement. These colours are found in the series "Texture Collages", the painting ground of which has its own designed texture and works through the painting. Here, too, a further pictorial level remains subtly visible. Photos copyright by Gertrud Bedersdorfer (Work 1-8) and Joachim Klein (Work 9-19) Weitere Arbeiten- Autres ouvrages - Further works: www.gertrudbedersdorfer.de

STEVE DREYER PHOTOGRAPHY

New York Light & Shadow

Observatory

Ben Sheppee

01 Apr 2021 – 31 Dec 2021

New editions and selected previous works from digital artist Ben Sheppee.

Julia Hacker

Artfabulous life

08 Apr 2021 – 31 Dec 2021

The vivid colors of Julia Hacker's abstract paintings help to create joy and happiness in everyday life.

HAZEGALLERY

“Analogue Photography"

On April the 10th, Hazegallery will present a new virtual exhibition, “Analogue Photography" featuring works by contemporary young artists working on film photography. Eight photographers from different countries will represent at the exposition their works. Film photography took an important place in the history of photography, as well as a special genre. Despite the fact that the modern world offers a huge number of opportunities to simplify the creation of photographs, many photographers remain faithful to this genre. Why? The limited number of frames makes you think more carefully about the choice of the frame and all its components. An unpredictable result surrounds the whole process with a special magical veil until the very moment the photographs are developed. Film photography is magic you can create yourself Participating Artists: Anna Tytarenko Lara Micheli Noemi Heidel Félix Chirinos Élyse De La Croizetière MINIMAN Katya Stelmashchuk Ekaterina Kozlova Sebastian Steimel Curator: Iren Russo, Sasha Grigg Coordinator: Lyubov Melnickowa

Oleg Maštruko

The Smell of Ice

19 Mar 2021 – 15 Jun 2021

In the fateful year of 2020 I started my project Chronicles of Global Warming. The idea was, and still is, to document the changes in the environment and human lives in places that are hardest hit by global warming. The plan for Episode I was to cover the changes in the Arctic. This exhibition of panoramas from Greenland is one of the products of the project. The whole travelogue (in Croatian) can be seen on Facebook in the group Kronike globalnog zatopljenja - Powered by BOSCH and E.ON: https://www.facebook.com/groups/thule/ I hope you find this online exhibition enjoyable.... Use the full-screen option :-) Leave a comment by e-mail if you liked it.... Oleg Maštruko oleg@bug.hr

Findlay Galleries

Chuang Che - The Chinese Abstractionist | New york

Fabian and Claude Walter Galerie

MINIMAL – CONCEPTUAL – ABSTRACT

25 Mar 2021 – 30 Apr 2021

The terms and movements of minimal, conceptual, and abstract art are anchored art historically in the period from the 1950s to the 1970s and have had an important influence on developments in contemporary art ever since. The exhibition MINIMAL – CONCEPTUAL – ABSTRACT takes up this thread and shows how the individual art movements of modern art from diverse times have influenced each other up to the present day. In collaboration with Philippe David and Ennik Fine Art.