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Kunstmatrix is a unique tool that enables you to create beautiful 3D showcases of your art to impress art lovers and collectors. Digitally present and manage your art, including an augmented reality app to show a preview of your work in any space you like!


featured
3D exhibitions

Jimmy Nelson

The Last Sentinels

11 Jan 2022 – 08 Mar 2022

The few on this planet who still live in harmony with ancient wisdom are Indigenous peoples. While allowing themselves to be guided by courage, love, and honour, these cultures are the guardians of both humanity and this planet. They are the living example of how to live with respect to our natural environment; how to understand that we are all united; how to live our lives to the fullest. Our aim is that through this experience, the visitor regains the connection with the source of what it is to be human. We, living in the industrialised world, have distanced ourselves from our origins and tend to have forgotten the purpose of living in full connection with each other, ourselves and the natural world. By making 'The Last Sentinels', we proclaim the urgency to acknowledge and celebrate Indigenous peoples as our new role models. Now is the time to reconnect the world and move healthily into the future.

Multiple Exposures Gallery

NEW YEAR-NEW WORK

12 Jan 2022 – 05 Feb 2022

凱信國際行銷有限公司|KAI HSIN INTERNATIONAL BUSINESS CO.

寫意印象館

17 Jan 2022 – 14 Feb 2022

LEMOINE Jean-Daniel

Collisions

01 Jan 2022 – 31 Dec 2025

AX the Arts and Culture Centre of Sussex

PICTUS

08 Jan 2022 – 26 Feb 2022

AX is proud to welcome PICTUS to the gallery. PICTUS consists of a series of mixed media and acrylic paintings by Moncton-based artist Jared Betts. The exhibition is curated by Paul Édouard Bourque, who had this to say about Jared’s work: Jared Betts is currently engaged in exploring cutting edge expression modes in the field of contemporary painting. His use of gesture and expressionist forms has since the onset set the tone for his highly charged pictorial works. Betts aims at rethinking the very parameters of contemporary painting, and his work as such touches on many pertinent and pressing concerns around the practice of chromatic mark-making, and how these relate to artistic ideals in the 21st century.

NDM EXTRA

Aleš Hudeček: 370 NM

12 Jan 2022 – 08 Mar 2022

Ostravský umělec Aleš Hudeček (*1973) ve svých obrazech i akvarelech zůstává nadále věrný své typické malířské poloze tematizující narativitu v malbě prostřednictvím paradoxů budovaných na kontrastním vztahu lidských figur a neživých objektů a útvarů uváděných do nepatřičných konstelací a indiferentních situací, jež snad mají vztah k něčemu (autorem) někdy či mimochodem viděnému. Pózy, gesta a pohledy převážně ženských aktérek spolu s převládajícím amorfně neurčitým barevným pozadím, jež může někdy navozovat dojem krajiny a jindy zase interiéru, vyvolávají dojem zakoušených každodenních situací převedených do jakýchsi existenciálně laděných rituálů. I samotný název výstavy na první pohled vyvolává rozporné pocity – 370 nm (tj. nanometrů) vyjadřuje rozdíl mezi minimální (390) a maximální (760) vlnovou délkou viditelného světelného spektra. A právě světlo a barva jako jeho vlastnost jsou v Hudečkově interpretaci pojímány jako bytostný paradox malířství, které se bez barvy a možnosti jejího vidění neobejde, zároveň ale není absolutně možné redukovat je právě jen na číselné vyjádření limitů fyzikálních veličin. Ve svých aktuálních malbách pojímá Hudeček světlo jako samotného aktivního hybatele toho, co se na obrazech odehrává. To ono vybízí aktéry k akci tím, jak je skrytě přítomné, tajemně vzývavé i přirozeně nenucené ve svém (někdy až manipulativně interpretativním) vyzařování. Kurátorem výstavy je Martin Mikolášek. _________________________________________________________________ The Ostrava painter Aleš Hudeček (*1973) remains faithful to the narrativity in his paintings through paradoxes built on the contrasting relationship between human figures and inanimate objects that are positioned in an inappropriate manner. The poses, gestures and glances of mostly female actors, which go hand in hand with the background of an indeterminate colour, may evoke sometimes landscapes, sometimes interiors that give the impression of experienced everyday situations that are transformed into some kind of existentially tuned rituals. At first glance, the exhibition’s title may evoke contradictory feelings—370 nm (i.e., nanometres) express the difference between the minimum (390) and maximum (760) wavelength of the visible light spectrum. In Hudeček's interpretation, light and colour—the properties of the spectre—are conceived as the essential paradox of painting, which cannot exist without a colour and the possibility of seeing it. At the same time, it is absolutely impossible to reduce them to numbers that express limits of the physical quantities. In his current paintings, Hudeček conceives of light as a very active agent of what is captured in the paintings. It is the light that prompts the actors to act by how it is covertly present, mysteriously evocative, and naturally unforced in its (sometimes manipulatively interpretive) emanation. The exhibition is curated by Martin Mikolášek.

Akinlabi Akinbulumo

ATAP NFT Collection

14 Jan 2022 – 14 Mar 2022

Another Time , Another Place (ATAP) is a photo-art project by Nigerian visual storyteller, Mr. Phisha (Akinlabi Akinbulumo). This projects consists of over 60 pieces which are being showcased in a vareity of exhibitions around the world and as a set of NFT collections. These art works are a mixture of his high contrast black and white photography and vibrantly colored motif/pattern art. Each piece of ATAP is Afrofuturistic and tells a story that fits into the larger one about Mr Phisha's predictions of Africa post pandemic.

GeoFANG

CAD Projects for NUUID Students

15 Jan 2022 – 31 Jan 2022

【教學範例雕塑試展】SolidWorks基礎教學/快速範例 大二同學第一學期開始接受SolidWorks基礎訓練,首次接觸參數式的電腦輔助工業設計。我最近做了幾個改變,追加了1.5小時之內,可以迅速完成的「自由提案課堂作業」範例: 1) 先前遵照教科書教學,發覺嚴謹的標註尺寸訓練拖慢工設學生上手速度(而且打擊學生信心)。 2) SolidWorks原廠教學較邏輯清楚、步驟嚴明。但是跟我的實務經驗相反:我進行造型設計時,總是修修改改,一邊繪圖一邊思考造型的變化。 3) 原廠教學範例,常常在繪製兩小時之後,才發覺薄殼或加厚失敗。這讓學生感到挫折,我也要花大量的時間去幫學生回溯Debug。 4) 所以本學期開始,我自創一些快速案例,每次約控制在1.5小時完成。讓學生可以在步驟一致的條件下,做最大的造型發揮,立即在FB分享繳交,這樣比較有趣、也有成就感。 5) 工設系學生必須比機械系學生更快進入曲面教學。工設學生需在底子還沒扎實之前,就需要快速進入自由曲面的訓練。對工設學生而言,快速提案是更重要的訓練。

Kunstverein ART Baden-Baden e.V.

ZEITGENÖSSISCHE KUNST

07 Jan 2022 – 30 Mar 2022

Gemeinschaftsausstellung der Künstler/innen Christel Holl, Helga Kalkbrenner, Camelia Berberich, Petra Lorch,Beate Weigel,

Sierra Arts Foundation

A Retelling of The Familiar an Exhibition by Anna Bunnell and J. Charboneau

02 Jan 2022 – 31 Jan 2022

A Retelling of The Familiar Anna Bunnell and J. Charboneau Exhibition: January 4th thru 31st Reception: Thursday, January 20th from 6 to 8 PM A visual experience in the poetic dusty tale of the beauty that is Nevada. Anna Bunnell and J.Charboneau present an entanglement of practice through the pursuit of a connection to; a land, a history, a moment. Familiar raw materials such as charcoal, clay, ink, and rust define their sculpted and painted documentation of the ever-changing landscape and the story it reveals.

THS Photography

Fall 2021 Tuscarora High Photography Competition

10 Jan 2022 – 20 Mar 2022

The images featured in this exhibit were created by Digital Photography 1 students during the fall semester. The exhibit was curated by former students of FCPS who are now photographic or graphics arts professionals. The top 45 pieces were selected from a field of 118 entries.

TAG Fine Arts

London Art Fair

Zweigstelle Berlin

Maria Wallenstål-Schoenberg | Grå

"Es sind die Beziehungen, die die Malerei der Maria Wallenstål-Schoenberg so faszinierend machen: Formen und Farbklänge stehen in einem Spannungsverhältnis und kommunizieren miteinander. Auf den ersten Blick schwerelos und heiter, sind die Gemälde der Künstlerin von einer ergreifenden Tiefgründigkeit, die den Betrachter unweigerlich miteinbezieht. Ihr Handwerkzeug ist das Palettenmesser, mit dem sie die Ölfarbe nach einem wohldurchdachten Konzept Schicht für Schicht aufträgt. Untere Farblagen schwingen mit nach vorne, verschwinden wieder, um sich woanders in neuer Weise zu präsentieren. Farbfelder beziehen sich aufeinander, Formen treten an ihren Rändern in Kontakt, Bildkanten erzählen eigene Geschichten“ | A. v. Altenbockum

Galerie Kristine Hamann

Virtueller Saleroom Christofer Kochs

Findlay Galleries

California Abstractionists


all exhibitions

Your tools to organize, promote and sell your art.

art.depot

digital inventory management

A central database to organize, categorize
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art.spaces

virtual exhibition rooms

Your beautiful exhibitions online in three dimensions. Virtual space to curate, present and archive. Exhibition architecture by KUNSTMATRIX or customized.

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art presentation to go

Your tool to present art at any place without any logistics. Our revolutionary augmented reality technology allows you to preview a work of art in the blink of an eye. Virtual trial hanging included.

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sales management

Relaxed customer-relationship management with a clear and easy interface. Manage contacts, art, activities and sales. Reduced to the necessary, with no special training needed

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10
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50 artworks

5 public 3D exhibitions

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25
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250 artworks

10 public 3D exhibitions

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50
/ month*

500 artworks

50 public 3D exhibitions

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